The Wall Street Journal's "China Real Time Report" blog profiles director Chung Mong-Hong.
Taiwanese director Chung Mong-hong sees himself as a non-conformist.
In an era of Chinese-language romantic comedies, tear-jerkers, police dramas and lavish historical dramas, Mr. Chung says he doesn’t want to follow the crowd by making films with themes that are seen everywhere.
The director, sitting in his studio in Taipei with a cigarette in one hand, says he draws inspiration from the works of American filmmaker David Lynch, director of Blue Velvet (1986) and Mulholland Drive (2001), and the late Japanese director Masaki Kobayashi, who thrived on dissecting sensitive and controversial subjects.
“If you liken the movie to a house when you watch a Kobayashi movie,” Mr. Chung says, “you feel like you are inside a very serious and solemn home, and you automatically want to sit up straight at the edge of your chair.”
Exclaim.ca's Scott A. Gray reviews his film, Soul.
A uniquely moving and disturbing picture, Soul uses surreal cinematic poetry to postulate schizophrenia as a disassociation of the spirit. Taiwan's Chung Mong-Hong (The Fourth Portrait) is an accomplished visionary capable of balancing a calculated use of technical ability with instinctual artistry, as demonstrated throughout this emotionally gripping and consistently stimulating film.
SOUL Final Screening:
Saturday, Sept 14th, 12:00 PM SCOTIABANK 10
Post a Comment