Showing posts with label Blondie. Show all posts
Showing posts with label Blondie. Show all posts

Friday, September 14, 2012

BLONDIE: Final Screening


Happy Friday, Vanguarders! You've almot made it. Can you see the light at the end of the tunnel? The festival is coming to a close, which means you'll soon be able to sleep. But we can guarantee that by the end of next week, you'll be missing the festival like whoa. Yes, even the long ticket holder lines.

If you haven't quite settled on your early evening Toronto International Film Festival Festival plans yet, may we make a suggestion? We're going to assume you said "yes" and tell you that there is one final screening of Blondie tonight. The beautifully filmed Swedish melodrama follows three sisters and their mother during a special birthday weekend as they each struggle with their own demons and each others'. It will probably remind you of your family, except you just aren't that good looking.

The trailer and screening information is below.

BLONDIE Screening Times:
Fri., Sept. 14th, 6:15 PM SCOTIABANK 3



Wednesday, September 12, 2012

BLONDIE: Twitter Round-Up


Swedish director Jesper Ganslandt's latest film, Blondie, is not about Debbie Harry, but it is about a family of blonde women. It premiered at the Festival on Monday, September 10. Here's what peeps are saying about Blondie on Twitter:




You still have another chance to catch this melodrama which passes the Bechdel Test (hooray!). Blondie screens again on Friday, September 14 at 6:15PM at SCOTIABANK 3.

Monday, September 10, 2012

BLONDIE Premieres Tonight!


Jesper Ganslandt's Blondie premieres tonight at Scotiabank Theatre at 9:45 PM. Head over to our previous post to see the film's trailer and poster.

Tickets can be purchased:
  • ONLINETIFF.net/thefestival
  • BY PHONE: 416.599.TIFF or 1.888.599.8433 (Toll-free) 
  • IN PERSON
    • Festival Box Office; 225 King St. West
    • Scotiabank Theatre Box Office; 259 Richmond Street West

Further information about Jesper Ganslandt's Blondie can be found on the Festival website, as well as on the Blondie IMDB page.

BLONDIE screening times:
  • Mon., Sept. 10, Scotiabank 2 9:45 PM
  • Wednes., Sept. 12, The Bloor Hot Docs Cinema 12:00 PM
  • Fri., Sept. 14, Scotiabank 3 6:15 PM

Saturday, September 8, 2012

5 Behind The Camera: Directors Of Photography

We'd like to focus on some of the talented people whose work you can enjoy in five of the films playing at the Toronto International Film Festival. Each is a Director of Photography, also known as a DP: Ernesto Herrera (Here Comes The Devil), Gary Shaw (iLL Manors), Linda Wassberg (Blondie), Laurie Rose (Sightseers), and Robin Thomson (Peaches Does Herself).


Ernesto Herrera, the DP for Here Comes The Devil, also worked with director Adrián García Bogliano on 2011's Penumbra. Variety made specific mention of his skills in their review, stating that he "intensifies audience unease in several scenes by portentously framing characters in mirrors, doorways and hallways, subtly suggesting that power is shifting and screws are tightening."

"What stood out most to me [in Penumbra] was the slick cinematography" which "added an almost surreal atmosphere to the film that was quite effective," said Cinema Head Cheese blog. We look forward to Herrera's work in Here Comes The Devil, which plays at the Festival.
 We have already seen DP Gary Shaw's excellent work in Duncan Jones's 2009 Moon.
"The lighting is subtle yet brilliant and the cinematography definitely succeeds in highlighting Sam's isolation," remarked Cinemaroll in their review, while Zarzax The Blog classified the cinematography as "amazing."


Shaw's work on iLL Manors, playing at the Festival, is also getting recognition. Eat Sleep Live Film proclaims, "The film's visual style belies its low-budget origins. Director of photography Gary Shaw (who also shot Duncan Jones film Moon) ensures it looks good, even when things get very bad."


Before Blondie, Linda Wassberg lensed She Monkeys in 2011. For that, she won the prize for Best Cinematography at the Transylvania International Film Festival in Romania. Sound on Sight praised Wassberg's work highly, saying, she "amps up the atmosphere: shadows, natural darkness, and narrow scope are used to emphasize the claustrophobia of the girl's lives."

Variety also took note of Wassberg's prowess in their review of She Monkeys: "The stellar tech package is led by Linda Wassberg's atmospheric, tightly focused widescreen lensing." Wassberg's work impressed Chorus and Echo, who said She Monkeys was, "beautifully shot and convincingly styled-one can only hope for more from cinematographer Linda Wassberg." We feel sure that  "more" will be more than obvious in Blondie, which will be playing at the Festival.


Ben Wheatley has previously collaborated with DP Laurie Rose on the films Kill List and Down Terrace. The two team up again on Sightseers, which is playing at the Festival. "From the very outset the cinematography is striking," notes Sound on Sight in their review of Sightseers, "direct credit to DP Laurie Rose whose use of darkness in particular is masterful."

Telegraph also had great things to say about Sightseers, remarking "Laurie Rose gives the Yorkshire and Cumbrian landscapes a dewily gorgeous sheen." The Hollywood Reporter admired how Rose's "widescreen digital cinematography presents the countryside in a sufficiently splendid and alluring manner to delight UK tourist authorities—even if Wheatley's vision of this 'green and pleasant land' tends to be strewn with messily-dispatched corpses.We don't doubt that such a contrast will be stunning in Sightseers.


Robin Thomson, who shot and edited Peaches Does Herself, graduated with a BA of Fine Arts from Duncan of Jordanstone College of Art & Design, Dundee, Scotland in 2008. According to his website he is also working in Berlin as a video editor, artist, and musician, as well as managing Peaches' various online platforms, including her blog and social media.

Recently, Thomson compiled and edited a guerilla video that Peaches organized with her fans to support the Russian punk activist band Pussy Riot, who were charged and convicted of "hooliganism" (for real) for their song "Putin Lights Up The Fires." Watch the video here.

While you're waiting for a screening of Peaches Does Herself at the Festival,  you can also watch more of Thomson's work on his website.

HERE COMES THE DEVIL screening times:
Tues., Sept. 11th, 6:00PM, BLOOR HOT DOCS CINEMA
Wed., Sept. 13th, 7:00PM, SCOTIABANK THEATRE 3
Sun., Sept. 16th, 3:30PM, SCOTIABANK THEATRE 4

ILL MANORS Screening Times:
Sun., Sept. 9th, BLOOR HOT DOCS CINEMA 9:00PM
Tues., Sept. 11th, SCOTIABANK 4  4:15 PM
Sat., Sept. 15th, SCOTIABANK 4  9:30 PM

BLONDIE
Screening Times:
Mon., Sept. 10th, SCOTIABANK 2  9:45PM
Wed., Sept. 12th, BLOOR HOT DOCS CINEMA 12:00PM
Fri., Sept. 14th, SCOTIABANK 3  6:15PM

SIGHTSEERS Screening Times:
Tues., Sept. 11th, RYERSON THEATRE 9:00PM
Thurs., Sept. 13th,  RYERSON THEATRE 12:00PM
Sun., Sept. 16th BLOOR HOT DOCS CINEMA 7:00PM

PEACHES DOES HERSELF Screening Times:
Thur., Sept. 13th, BLOOR HOT DOCS CINEMA 9:00PM
Sat., Sept. 15th, TIFF BELL LIGHTBOX 4 3:15PM
Sun., Sept. 16th, JACKMAN HALL (AGO) 4:00PM

Thursday, September 6, 2012

Food Trucks At The Bloor Hot Docs Cinema



Imagine this: It's Wednesday September 12th. You have tickets to the 9:00PM screening of Soi Cheang's Motorway at The Bloor Hot Docs Cinema, but you're starving. What are you possibly going to eat!? Luckily The Bloor Hot Docs Cinema is located right in the middle of the Annex, so the food options are plentiful.

This year your options are even broader as the Toronto International Film Festival is teaming up with Toronto Food Trucks to bring the food to you. A rotating selection of food trucks will be located outside of The Bloor Hot Docs Cinema September 7th to 16th from 7PM to midnight.

http://torontofoodtrucks.ca/photos

Toronto food truck locations and schedule during the festival can be found on the Toronto Food Trucks website, Twitter and Facebook pages.

The following Vanguard films will be playing at The Bloor Hot Docs Cinema:

PUSHER
Fri., Sept. 7, 9:00 PM, THE BLOOR HOT DOCS CINEMA

PAINLESS
Sat., Sept. 8, 6:00 PM, THE BLOOR HOT DOCS CINEMA

ILL MANORS
Sun., Sept. 9, 9:00 PM, THE BLOOR HOT DOCS CINEMA

BERBERIAN SOUND STUDIO
Mon., Sept. 10, 6:00 PM, THE BLOOR HOT DOCS CINEMA

BEIJING FLICKERS
Mon., Sept. 10, 9:00 PM, THE BLOOR HOT DOCS CINEMA

HERE COMES THE DEVIL
Tues., Sept. 11, 6: 00PM, THE BLOOR HOT DOCS CINEMA

BLONDIE
Wed., Sept. 12, 12:00 PM, THE BLOOR HOT DOCS CINEMA

THALE
Wed., Sept. 12, 6:00 PM, THE BLOOR HOT DOCS CINEMA

MOTORWAY
Wed., Sept. 12, 9:00 PM, THE BLOOR HOT DOCS CINEMA

ROOM 237
Thurs., Sept. 13, 6:00 PM, THE BLOOR HOT DOCS CINEMA

PEACHES DOES HERSELF
Thurs., Sept. 13, 9:00 PM, THE BLOOR HOT DOCS CINEMA

SIGHTSEERS
Sun., Sept. 16, 7:00 PM, THE BLOOR HOT DOCS CINEMA

Friday, August 31, 2012

BLONDIE Director Profile: Jesper Ganslandt



Director Jesper Ganslandt is only on his third feature film and he's already being hailed as one of the "strongest names in the new Swedish wave of young directors." Colour us impressed; we haven't even put on pants or had breakfast yet. Whatever they're putting in the water over there in Sweden: please, keep it up.

Ganslandt grew up in a small town called Falkenberg before moving to Stockholm. There, he started a production company called Fasad, which has been responsible for producing all of his films. In 2006, Ganslandt's first feature film, Falkenberg Farewell, premiered at the Venice Film Festival and then the Toronto International Film Festival. The film was a love song to his hometown--a means to say "goodbye". He wrote and co-starred in the film along with his actual friends. A nostalgic, bittersweet coming of age story, the film was said to be "less a narrative movie than an immersion in somebody else's time and place." The film went on to be nominated for four Guldbagge Awards (including Best Film). We've posted the trailer below, which will be most enjoyed by those of you who can either listen in Swedish or read in French. (Or maybe you're a keener and can do both. But who asked you.)


The Ape is Ganslandt's second feature film, premiering at the 2009 Venice Film Festival and then shown as part of the Vanguard programme (AKA, the best programme, ahem) at the 2009 Toronto International Film Festival. The film follows a character as he wakes up covered in blood and then goes about his day as usual. Huh, makes sense--wouldn't want to be late for work, right? Part minimalist thriller, part puzzle, the audience follows the man throughout the movie trying to figure out what terrible thing has occurred. Of the film, the Guardian proclaimed, "…in Jesper Ganslandt, Sweden has a new star director."


This year, the Toronto International Film Festival is thrilled to welcome Ganslandt back with the premier of his third feature film, Blondie. The film follows three sisters reunited at their mother's home for her seventieth birthday. But don't expect any happy-fun-time balloons and confetti at this party; Ganslandt weaves together an anxious, melodramatic weekend, with family secrets exposed and old wounds ripped open. The  trailer is below, along with the screening times. 


BLONDIE Screening Times:
Mon., Sept. 10th, 9:45 PM SCOTIABANK 2
Wed., Sept. 12th, 12:00 PM BLOOR HOT DOCS CINEMA
Fri., Sept. 14th, 6:15 PM SCOTIABANK 3

Wednesday, August 29, 2012

BLONDIE Trailer and Clips


Sweden's Jesper Ganslandt is no stranger to the Toronto International Film Festival. Two of his features, Falkenberg Farewell (06) and The Ape (09), have screened at the Festival. This year, in his new film Blondie, Ganslandt reunites three estranged sisters for their domineering mother's birthday.

Below are the trailer and clips for Blondie, which plays the Festival within the Vanguard programme.

TRAILER




CLIPS


 

Further information about Jesper Ganslandt's Blondie can be found on the Festival website, as well as on the Blondie IMDB page.

BLONDIE screening times:
  • Mon., Sept. 10, Scotiabank 2 9:45 PM
  • Wednes., Sept. 12, The Bloor Hot Docs Cinema 12:00 PM
  • Fri., Sept. 14, Scotiabank 3 6:15 PM