Showing posts with label Japan. Show all posts
Showing posts with label Japan. Show all posts

Friday, September 12, 2014

THE WORLD OF KANAKO: Japanese Crime Novels

Man, I really wish I had thought to bring a book...


Tetsuya Nakashima adapted his screenplay for The World Of Kanako from Hateshinaki Kawaki, a bestselling novel by Akio Fukamachi. And people were surprised he did because the novel is hardcore. In Mark Schiller's review of The World Of Kanako at The Japan Times, he writes:
Akio Fukamachi’s 2004 mystery novel Hateshinaki Kawaki has sold more than 360,000 copies, but was initially considered too lurid for a mainstream film adaptation, Tetsuya Nakashima read it and began writing his own screen treatment, which became the script for Kawaki [or The World of Kanako].

There are a lot of dark, disturbing Japanese crime novels and if you found The World Of Kanako compelling, you might be interested in some of these books available in English translation. (And I'm using the publication dates of the English translations).

"Me? Kanae Minato? A criminal mastermind?"

Confessions (2014) by Kanae Minato

While Akio Fukamachi's Hateshinaki Kawaki isn't available in English translation (that I can find), the novel Nakashima adapted for his previous film, Confessions, is. (You can read more about the film from Vangaurder Darryl). After the death of her toddler, a single school teacher decides she has had enough. On the last day of school, she tells her class that she is resigning and begins her plot for revenge against two students in her class who she believes murdered her daughter. The story is told in multiple first person narratives, beginning with the teacher's. First person always creates an intimacy and in this case, it's easy enough to sympathize with a woman seeking revenge for the death of a toddler, but it also creates an uncomfortable sympathy as she choose to destroy two other children. Confessions ultimately reveals the devastating and uncontrollable consequences of revenge. Incidentally, Kanae Minato had been a home economics teacher herself before the success of Confessions, so there's that.


Natsuo Kirino is 5X winner of World's Best Author Photo.

Out (2005) by Natsuo Kirino

In the Edgar Award-winning novel Out, four women work the graveyard shift at a factory that produces ready-made box lunches, mostly staffed by married women who need extra income for their families and Brazilian immigrants. One of women is driven over the edge by her husband's inattentiveness, unfaithfulness and recklessness at a nearby casino run by the yakuza. Her friends at the factory help her dispose of the body for reasons of their own, but they end up disposing of bodies for a gangster who has the occasional body to dispose of. Meanwhile, the casino owner has been blamed for the husband's murder and he is looking to find the real killers. Worse yet, he's looking to relive a terrifying sexual fantasy. Out is a detailed portrait of four women and the pressures of contemporary Japan. It's tightly plotted, well-written, fascinating, sympathetic, and, in the end, harrowing read.

Ryu Murakami is thinking amazing things right now. Man, so amazing.


Audition (2009) by Ryu Murakami

Murakami's most famous book in the English-speaking world is probably Almost Transparent Blue. But he also wrote Audition, which Takashi Miike adapted into a film. A widower decides to marry  again at the urging of his son and his best friend. He doesn't want to date and has very specific ideas of who he wants to marry--in particular, a woman who is accomplished in some art, regardless of the level of her success. His best friend sells him on the idea of pretending to make a film and holding auditions. He even has an explanation all ready for why the film would never be made. And this plan seems to work when he meets the perfect woman and all she asks is that he only love her. But his friend thinks there's something off about her and there was that guy in the wheelchair that seemed to recognize her and, worse, be afraid of her. Another well-written, slow-burn with a sudden burst of violence at the end.


Keigo Hagashino's brain is filled with very precise and detailed plots, even now.

The Devotion of Suspect X (2011) by Keigo Hagashino

There is another unfortunate body disposal situation when a divorced mother is confronted by her angry ex-husband demanding money (again). Fortunately, her next door neighbor is a sympathetic high school math teacher who is bored by his job and also highly analytical. He develops a plan to cover up the whole incident that is seemingly perfect. But there is, of course, a detective who just has a bad feeling about the whole thing. Less intense than the other books, but just as psychological and more caught up in the game between the math teacher and the detective trying to catch him.

Rampo is busy reshaping fiction.

The Edogawa Rampo Reader (2008) by Edogawa Rampo

Rampo shaped so much of modern and contemporary Japanese fiction, and defined crime fiction in particular that it's worth taking a look at any of his collections. His novella, Black Lizard was adapted twice. Kinji Fukasaku's 1968 adaptation stars Akihiro Miwa and Yukio Mishima, but I'm very partial to Umetsugu Inoue's 1962 version starring Machiko Kyo (Rashomon; Ugetsu). Both are based on a stage adaptation by Yukio Mishima. I chose this book because it includes a collection of his short stories, but also some of his essays on film. Besides Black Lizard, Rampo has 44 other screenwriting credits.

THE WORLD OF KANAKO Final Screening:
Saturday, Sept 13 9:00 PM THE BLOOR HOT DOCS CINEMA

And because I mentioned Takashi Miike, here are the OVER YOUR DEAD BODY screening times:
Fri., Sept. 12, The Bloor Hot Docs Cinema 9:00 PM
Sat., Sept. 13, TIFF Bell Lightbox 2 6:30 PM


Tuesday, September 9, 2014

THE WORLD OF KANAKO: TIFF Twitter Buzz!

"Twitter?! I don't have time for Twitter. I have extreme acts of violence to enact!"

Well, don't say we didn't warn ya, but The World of Kanako is definitely one of those polarizing films. If you're into graphic, graphic violence and strong imagery like the people quoted from Twitter below, then we highly recommend catching the last screening of this one. It's on a Saturday so at least you'll have Sunday to recover. Phew



The World of Kanako is screening at the 2014 Toronto International Film Festival as part of the Vanguard Programme. You can check out more Vanguard films on the official Festival website

THE WORLD OF KANAKO screening times:
Saturday, Sept 13 9:00 PM THE BLOOR HOT DOCS CINEMA


Sunday, September 7, 2014

THE WORLD OF KANAKO: Premieres Tonight!

The second Vanguard film premiering tonight is Tetsuya Nakashima’s The World of Kanako. The premiere will take place at Isabel Bader Theatre at 9:15 PM. Head over to our previous posts to see poster and trailer, and a look at Tetsuya Nakashima’s previous film, Kokuhaku (Confessions).

Tickets can be purchased:
    • ONLINETIFF.net's Ticket Product List Page
    • BY PHONE: 416.599.TIFF or 1.888.599.8433 (Toll-free) 
    • IN PERSON
      • Festival Box Office; 225 King St. West
      • Isabel Bader Theatre; 93 Charles Street West
Further information about The World of Kanako can be found on the Festival website.

THE WORLD OF KANAKO screening times:
Sun., Sept. 7th, 9:15 PM, ISABEL BADER THEATRE
Tues., Sept. 9th, 11:30 AM, BLOOR HOT DOCS CINEMA
 Sat., Sept. 13th, 9:00 PM, BLOOR HOT DOCS CINEMA

Monday, September 1, 2014

OVER YOUR DEAD BODY: Takashi Miike TIFF Retrospective


Over Your Dead Body is Miike's first movie to play the Vanguard program, but Miike's films have been screened at TIFF before--in the Midnight Madness program. And Miike has met Vanguard/ Midnight Madness programmer Colin Geddes' parents. True fact.

Takashi Miike is insanely prolific director with 94 credits at IMDb since he first began directing in 1991. A good part of Miike's career has focused on genre-bending, weird, funny and extremely violent films. Miike plays successfully with generic conventions and blows them way past camp into The Miike Zone. But recently he's been making art house films strongly influenced by classic Japanese cinema.

Fudoh: The New Generation (1997) was the first film Miike screened at TIFF and Midnight Madness. Son of a powerful and violent Yakuza boss, Riki Fudoh (Shosuke Tanihara) makes his high school his turf and takes revenge for his brother's death. He begins assassinating yakuza members with the help of his fellow students, including his female assassin/bodyguards, one of whom shoots darts from an unexpected place--but not all that unexpected because this is Miike.

Say what you will about yakuza bosses, they do love to laugh.

Miike returned to Midnight Madness with City of Lost Souls , aka, The Hazard City (2000).  Brazilian-Japanese gangster Mario (Teah) and illegal Chinese immigrant Kei (Michelle Reis) are on the run from Triad boss Ko (Mitsuhiro Oikawa) and on their way to Australia. But there are complications including a little girl and a suitcase full of cocaine. City Of Lost Souls also captures some of the experience of being marginal and other in Japan.

Do not confuse City of Lost Souls with City of Lost Souls
even though there is star-crossed love in both. Thank you.




In 2001 Miike returned to Midnight Madness with his harrowing, brutal, gorgeous and darkly comic film, Ichi The Killer. Ichi (Nao Ōmori) is a hitman and a sadist who dreams of a willing victim while taking contracts from Jijii (MM Alumnus Shinya Tsukamoto, director of Tetsuo (1989) and Nightmare Detective (2006)). Meanwhile, the flamboyant and extremely masochistic yakuza lieutenant Kakihara (Tadanobu Asano) searches for the man who killed his boss. Also, really, really brutal, but somehow Miike successfully subverts the homoeroticism of so many yakuza and crime movies.

Oh, Tadanobu Asano, you're so dreamy... Wait, what did you do to your face?!

I remember Colin warning the Midnight Madness audience that Gozu (2003) was a departure from Miike's previous yakuza movies. He told us it was weird. He told us that there was lactation involved. And he was right. Gozu--or my preferred title, Yakuza Horror Theater: Cow's Head--is deeply weird and almost feverish. In Gozu, yakuza soldier Minami (Yuta Sone / Hideki Sone) is supposed to drive his yakuza brother and friend Ozaki (Shō Aikawa) to Ozaki's execution. On the trip, Ozaki disappears. Minami begins searching for Ozaki in what might be a descent into insanity or a series of almost mythical phantasmagoric labors.

The Minotaur was not expecting company.

Then there are three films I'm quite fond of, but fans who were looking for dependable wtf yakuza films often do not enjoy so much.

Zebraman (2004) took Midnight Madness by surprise with its story of Shinichi Ichikawa (Shō Aikawa) a school teacher who dreams of being Zebraman, a television masked superhero whose show was canceled after only a few episodes. Then, one day, aliens invade and Japan needs Zebraman. Striping Evil! Zebraman is a children's film, but it is a Miike children's film.

What am I doing? Why do you ask?

The Great Yokai War (2005) is a children's film and a homage to Daiei Studio's fantasy/horror trilogy: Yokai Monsters: Spook Warfare (1968); Yokai Monsters: One Hundred Monsters (1968); and, Yokai Monsters: Along With Ghosts (1969). In The Great Yokai War, Lord Yasunori Kato (Etsushi Toyokawa) uses all the power of his misanthropy and harnesses the resentment of discarded objects to create an angry demon. Only Tadashi (Ryunosuke Kamiki), a little boy chosen to be the Kirin Rider at a local shrine festival, can stop him--with help from yokai spirits and creatures like a kappa, the River Princess, a tengu and the Azuki Bean Counter. I have a sensitivity to storylines about chosen boys, but I didn't mind this at all. And yokai just make me happy.

Yokai always make up for Chosen Ones.

Sukiyaki Western Django (2007) is Miike's first sort of chanbara (Japanese swordfighting/samurai) film as well as his first Western. Plus, an adaptation of Django (1966). And his first adaptation of Shakespeare. And his first English language Japanese movie. As Miike told the audience in a specially filmed message shown before Sukiyaki Western Django: "Of all the English language Japanese Westerns in the festival this year, I hope this will be one of your favorites."

Oh it is.

Yoshitsune and the Genji Clan are casually homicidal

13 Assassins (2010) was Miike's first film to screen outside of Midnight Madness at TIFF. It's Miike's remake of Eiichi Kudo's classic 1963 film, Thirteen Assassins. Set during the late Tokugawa Shogunate, thirteen samurai are assigned to assassinate a vile lord who abuses his authority and is, unfortunately, the Shogun's nephew. Miike follows Kudo's original fairly closely--sometimes almost shot for shot--but adds some Miike touches including some digital effects and some elaboration of the lord's villainy. Once you've seen both versions, you might be interested in this comparison of the movies at Wildgrounds.

Seriously, this is a Miike film.

And Miike remade another chanbara classic, Masaki Kobayashi's Harakiri (1962) with Hara-Kiri: Death of a Samurai (2011). Kabuki star Ebizo Ichikawa takes on the role Tatsuya Nakadai played in the original. A poor samurai (Ichikawa) approaches a wealthy lord for permission to commit suicide at the lord's estate. He is told the story of a samurai who had done the same, and, having pawned his sword, was forced to disembowel himself with a bamboo practice sword. Miike focuses more on melodrama, violence and gore, but not nearly as much as many of his other films. In a very Miike touch, Hara-Kiri played Cannes in 3D. And it's scored by Ryuichi Sakamoto.

As bad a situation as it looks.
Ebizo Ichikawa returns in Over Your Dead Body as Kousuke Hasegawa, the actor who portrays Tamiya Iemon in the play-with-a-film production of Yotsuya Kaidan. Miike's blurs the line between reality and fantasy, theater and mundane life as a theater company rehearse an adaptation of Yotsuya Kaidan, a story of betrayal, murder and supernatural revenge. While fans of Miike's extreme cinema might find it too restrained, it is a stunningly gorgeous film.

Ebizo Ichikawa as Iemon wearing Tatsuya Nakadai's 'do.

OVER YOUR DEAD BODY screening times:
Thurs., Sept. 11, Ryerson 6:00 PM
Fri., Sept. 12, The Bloor Hot Docs Cinema 9:00 PM
Sat., Sept. 13, TIFF Bell Lightbox 2 6:30 PM

Saturday, August 30, 2014

OVER YOUR DEAD BODY First Look: Poster and Trailer


Prolific horror auteur Takashi Miike (AuditionIchi the Killer, Thirteen Assassins) returns to the festival with Over Your Dead Body, his latest in his massive body of work to screen at the Toronto International Film Festival. A theatre troupe staging one of Japan's most famous ghost stories, Yotsuya Kaidan, find life imitating art as the ghost story's themes of murder, betrayal and revenge play out off the stage. As you can see from the trailers and teaser photos, Over Your Dead Body follows in Miike's very bloody footsteps.

Below is the poster, short English subtitled trailer and longer non-subtitled trailer for Over Your Dead Body, which plays this year's Toronto International Film Festival within the Vanguard programme.






Further information about Over Your Dead Body can be found on the Festival website, as well as on the film's website (Japanese) and Twitter account (Japanese).

OVER YOUR DEAD BODY screening times:
Thurs., Sept. 11, Ryerson 6:00 PM
Fri., Sept. 12, The Bloor Hot Docs Cinema 9:00 PM
Sat., Sept. 13, TIFF Bell Lightbox 2 6:30 PM

Tuesday, August 26, 2014

THE WORLD OF KANAKO First Look: Trailer and Poster!

What do you mean it's more bracing than Confessions?! 

When a filmmaker issues a statement saying he is "sorry if the film is too grotesque," you know it's got to be very special. (Maybe special means something different to you, but for us it means crazy and violent. Deal.) World of Kanako (Kawaki) is based on a best-selling novel by Akio Fukamachi some considered too gruesome to ever be a film. Tetsuya Nakashima took that as a challenge and crafted an over-the-top, violent revenge thriller. If any of you are familiar with 2010's Confessions then you know what we're talking about. If you aren't, take our word for it: this might not be the flick to see with your grandma. (No, really.)

Don't be fooled by the pink colour. 

Already a hit in Japan, garnering fans and critics alike, World of Kanako is sure to positively shock, probably disturb, and maybe even offend Vanguard audiences this Festival. Check out the trailer below for a little taste of the cah-razy film experience waiting for you:



World of Kanako is screening at the 2014 Toronto International Film Festival as part of the Vanguard Programme. You can check out more Vanguard films on the official Festival website

WORLD OF KANAKO screening times:

Sunday, Sept 7th 9:15 PM ISABELLA BADER THEATRE
Tuesday, Sept 9th 11:30 AM THE BLOOR HOT DOCS CINEMA
Saturday, Sept 13 9:00 PM THE BLOOR HOT DOCS CINEMA