Showing posts with label Tetsuya Nakashima. Show all posts
Showing posts with label Tetsuya Nakashima. Show all posts

Friday, September 12, 2014

THE WORLD OF KANAKO: Japanese Crime Novels

Man, I really wish I had thought to bring a book...


Tetsuya Nakashima adapted his screenplay for The World Of Kanako from Hateshinaki Kawaki, a bestselling novel by Akio Fukamachi. And people were surprised he did because the novel is hardcore. In Mark Schiller's review of The World Of Kanako at The Japan Times, he writes:
Akio Fukamachi’s 2004 mystery novel Hateshinaki Kawaki has sold more than 360,000 copies, but was initially considered too lurid for a mainstream film adaptation, Tetsuya Nakashima read it and began writing his own screen treatment, which became the script for Kawaki [or The World of Kanako].

There are a lot of dark, disturbing Japanese crime novels and if you found The World Of Kanako compelling, you might be interested in some of these books available in English translation. (And I'm using the publication dates of the English translations).

"Me? Kanae Minato? A criminal mastermind?"

Confessions (2014) by Kanae Minato

While Akio Fukamachi's Hateshinaki Kawaki isn't available in English translation (that I can find), the novel Nakashima adapted for his previous film, Confessions, is. (You can read more about the film from Vangaurder Darryl). After the death of her toddler, a single school teacher decides she has had enough. On the last day of school, she tells her class that she is resigning and begins her plot for revenge against two students in her class who she believes murdered her daughter. The story is told in multiple first person narratives, beginning with the teacher's. First person always creates an intimacy and in this case, it's easy enough to sympathize with a woman seeking revenge for the death of a toddler, but it also creates an uncomfortable sympathy as she choose to destroy two other children. Confessions ultimately reveals the devastating and uncontrollable consequences of revenge. Incidentally, Kanae Minato had been a home economics teacher herself before the success of Confessions, so there's that.


Natsuo Kirino is 5X winner of World's Best Author Photo.

Out (2005) by Natsuo Kirino

In the Edgar Award-winning novel Out, four women work the graveyard shift at a factory that produces ready-made box lunches, mostly staffed by married women who need extra income for their families and Brazilian immigrants. One of women is driven over the edge by her husband's inattentiveness, unfaithfulness and recklessness at a nearby casino run by the yakuza. Her friends at the factory help her dispose of the body for reasons of their own, but they end up disposing of bodies for a gangster who has the occasional body to dispose of. Meanwhile, the casino owner has been blamed for the husband's murder and he is looking to find the real killers. Worse yet, he's looking to relive a terrifying sexual fantasy. Out is a detailed portrait of four women and the pressures of contemporary Japan. It's tightly plotted, well-written, fascinating, sympathetic, and, in the end, harrowing read.

Ryu Murakami is thinking amazing things right now. Man, so amazing.


Audition (2009) by Ryu Murakami

Murakami's most famous book in the English-speaking world is probably Almost Transparent Blue. But he also wrote Audition, which Takashi Miike adapted into a film. A widower decides to marry  again at the urging of his son and his best friend. He doesn't want to date and has very specific ideas of who he wants to marry--in particular, a woman who is accomplished in some art, regardless of the level of her success. His best friend sells him on the idea of pretending to make a film and holding auditions. He even has an explanation all ready for why the film would never be made. And this plan seems to work when he meets the perfect woman and all she asks is that he only love her. But his friend thinks there's something off about her and there was that guy in the wheelchair that seemed to recognize her and, worse, be afraid of her. Another well-written, slow-burn with a sudden burst of violence at the end.


Keigo Hagashino's brain is filled with very precise and detailed plots, even now.

The Devotion of Suspect X (2011) by Keigo Hagashino

There is another unfortunate body disposal situation when a divorced mother is confronted by her angry ex-husband demanding money (again). Fortunately, her next door neighbor is a sympathetic high school math teacher who is bored by his job and also highly analytical. He develops a plan to cover up the whole incident that is seemingly perfect. But there is, of course, a detective who just has a bad feeling about the whole thing. Less intense than the other books, but just as psychological and more caught up in the game between the math teacher and the detective trying to catch him.

Rampo is busy reshaping fiction.

The Edogawa Rampo Reader (2008) by Edogawa Rampo

Rampo shaped so much of modern and contemporary Japanese fiction, and defined crime fiction in particular that it's worth taking a look at any of his collections. His novella, Black Lizard was adapted twice. Kinji Fukasaku's 1968 adaptation stars Akihiro Miwa and Yukio Mishima, but I'm very partial to Umetsugu Inoue's 1962 version starring Machiko Kyo (Rashomon; Ugetsu). Both are based on a stage adaptation by Yukio Mishima. I chose this book because it includes a collection of his short stories, but also some of his essays on film. Besides Black Lizard, Rampo has 44 other screenwriting credits.

THE WORLD OF KANAKO Final Screening:
Saturday, Sept 13 9:00 PM THE BLOOR HOT DOCS CINEMA

And because I mentioned Takashi Miike, here are the OVER YOUR DEAD BODY screening times:
Fri., Sept. 12, The Bloor Hot Docs Cinema 9:00 PM
Sat., Sept. 13, TIFF Bell Lightbox 2 6:30 PM


Wednesday, September 10, 2014

THE WORLD OF KANAKO Review: Mean As HELL

Dude's a Next Level Anti-Hero
The World of Kanako is a mean damn movie. And I liked it.

Called  Kawaki, or "Thirst" in Japan, and not to be confused with South Korean Director Park Chan-wook's Thirst.  The World of Kanako follows a disgraced former detective who's determined to find out what has happened to his missing daughter. Let's just say she's something of a handful.

Spoiler level: moderate. I talk vaguely about types of scenes without giving away contexts.

So I saw the movie, and is it for you? Well that depends! Time is running out! Is this the right movie for you?  Well, I will say, there’s more on screen sex and violence than Kokuhaku. Going in, I was told that there’s just a numbing amount of subversiveness. This, of course, just got me more excited. Quality subversive films are in short supply these days.  Do I need to defend subversive movies here?

In my earlier throwback blog post on Kokuhaku I predicted that The World of Kanako was going to be a more energetic UPPER to contrast the DOWNER of the first film. Their stories don’t really have any direct ties. Kanako is a similar examination of the result of pain left unchecked in the human spirit. And that’s speaking optimistically.

While I enjoyed the film,  it is very nihilistic, and intact a total downer, like Kokuhaku.  However the method of the telling is completely different, and infused with lots of smashing and shattering of places and people.

So who should see this film? Fans of Park's Vengeance Trilogy, I believe will enjoy this. Particularly if you liked the first (and I believe most cold hearted) film Sympathy for Mr. Vengeance. You'll find all the wonderful coldness and bitterness of that movie here. Really completely different  story, of course.

The Character of "Detective with Lollipop" makes everything sting a little worse.
(not actually called this, but still accurate)
Fans of I Saw The Devil - it’s got that kind of reckless abandonment. Similar tone, and if crime stories filled with blood is your thing, there's lots of that too.

Kanako's protagonist former detective Akikazu Fujishima, you might find hard to root for. To me, that's the real charm of the movie. These are new lows for "good guy" in a detective movie. He’s a mean SOB, in serious need of professional help.  I commend the filmmakers for bravely making the world (the protagonist) inhabits just THAT MUCH DARKER for it to make sense. Here’s a low life thug, a nightmare of a husband, disgraced cop, perpetually knee deep in liquor - and that’s just how he starts! Wait, even in the backstory he’s a pretty horrible guy.

So... that much more inspiring a climb in his journey to become a better person, you might be thinking! Mild Spoiler, advert your eyes:

There’s no real redemptive transformation here - but rather the grit becomes sludge. This guy makes Harvey Keitel’s Bad Lieutenant look like an altar boy. I think he and The Shield's Vic Mackey might be able to have single a beer before Vic put two and two together and took him off his Christmas list. Take that as you will - but this isn’t a character study. It’s a gritty detective movie!

To be fair, the bad guys DO surpass Akikazu in bad deeds enough to make things interesting. I don’t want to say any more than that.

So should YOU see this film?  It depends on your stomach. I'm pretty sure a lot of veterans of the Vanguard or Midnight Madness programs will be fine.  It is extreme though.

 I went into this movie, my most anticipated film this year, having heard both hype for and against it. With my expectations in check, I wasn’t disappointed - though I feel Kokuhaku had more emotional power -this film was darkly entertaining, ridiculously violent with many memorable scenes, a unique spin on the action (Mini spoiler: there’s a pretty "up close and personal" gunfight that rocked my world) and I’ll definitely be excited to see what Tetsuya Nakashma does next.

The happiest part of this movie is it's cheery poster! It's all pain and darkness after this, folks!

Bonus poster translations by my very patient wife. TOP: "My Beloved Daughter Was a Monster" BOTTOM: "Strong poisonous entertainment that blows away your rationality"

THE WORLD OF KANAKO screening last chance!
Sat., Sept. 13th, 9:00 PM, BLOOR HOT DOCS CINEMA

Tuesday, September 9, 2014

THE WORLD OF KANAKO: TIFF Twitter Buzz!

"Twitter?! I don't have time for Twitter. I have extreme acts of violence to enact!"

Well, don't say we didn't warn ya, but The World of Kanako is definitely one of those polarizing films. If you're into graphic, graphic violence and strong imagery like the people quoted from Twitter below, then we highly recommend catching the last screening of this one. It's on a Saturday so at least you'll have Sunday to recover. Phew



The World of Kanako is screening at the 2014 Toronto International Film Festival as part of the Vanguard Programme. You can check out more Vanguard films on the official Festival website. 

THE WORLD OF KANAKO screening times:
Saturday, Sept 13 9:00 PM THE BLOOR HOT DOCS CINEMA


Sunday, September 7, 2014

THE WORLD OF KANAKO: Premieres Tonight!

The second Vanguard film premiering tonight is Tetsuya Nakashima’s The World of Kanako. The premiere will take place at Isabel Bader Theatre at 9:15 PM. Head over to our previous posts to see poster and trailer, and a look at Tetsuya Nakashima’s previous film, Kokuhaku (Confessions).

Tickets can be purchased:
    • ONLINE: TIFF.net's Ticket Product List Page
    • BY PHONE: 416.599.TIFF or 1.888.599.8433 (Toll-free) 
    • IN PERSON
      • Festival Box Office; 225 King St. West
      • Isabel Bader Theatre; 93 Charles Street West
Further information about The World of Kanako can be found on the Festival website.

THE WORLD OF KANAKO screening times:
Sun., Sept. 7th, 9:15 PM, ISABEL BADER THEATRE
Tues., Sept. 9th, 11:30 AM, BLOOR HOT DOCS CINEMA
 Sat., Sept. 13th, 9:00 PM, BLOOR HOT DOCS CINEMA

Saturday, September 6, 2014

THE WORLD OF KANAKO: The Gloomy Beauty of KOKUHAKU

Welcome to the dark detention of your soul!

Kokuhaku (aka Confessions) is a 2010 film directed by Tetsuya Nakashima. It's also one of my favorite films.

Now, I like to think I've seen it all.  Over the years, I've seen some pretty crazy films. I've become quite desensitized to standard shock, and bittersweet sentimentality.  Sure, there's lots of exploitative films that still strike a sneaky cord with through relentless violence or sadism; however when there's an emotional center, or primal truth to the subject matter, it cuts deeper.  Confessions I wouldn't call exploitative. It's not so much the physical brutality of the subject matter,  but rather the focus is on the emotions and effects of a horrible act.  This is a film about a more challenging type of uneasiness; emotional horror. A more recent film that struck a similar chord for me was We Need To Talk About Kevin (2013).

However, in 2014, Confessions STILL remains the last film to have truly gutted me. Maybe that just means I've become a soulless husk, or possibly that Confessions took whatever was left in there!

A memorable Class dis-Assembly
What I felt most strongly about happened in the first half hour of the film… and it's not that the rest of the film is any less effective, it's more the initial sting of entering the sorrowful world of the film.  The hypnotic music.  A dirge of distant chords, it all feels so inevitable and simple.  The story opens in a classroom, and a mild mannered teacher gives her a class a lesson they will never forget.  I won't spoil that here.

There's a strange contrast in the teacher's cool, calm delivery and the chaos of the students. Text messages bling like slot machines popping up in the midst of graceful slow motion camera moves. 

Dull sun light blooms from the windows, creates a near silhouette effect on the students and teacher, their faces on the cusp of shadow. It's gloomy classroom, but the reality isn't broken. There's no loss of suspension of disbelief in the style. There's just a heavy cloud in the air.

Perhaps you've already heard the film described as a music video (indeed Radiohead's song "Last Flowers" plays heavily in the excellent score) - and maybe that's the key to how it disarmed me, and sunk into my subconscious. It's all so desolate, dreamy, sentimental.  The film looks and feels as if it's inhabitants are under an eclipsing shadow of an impending doom.  

The first half hour was SO harrowing that the theater seemed to breathe collective a sigh of relief as the opening sequence finally let go.  This was powerful cinema! I had been so thoroughly depleted that I thought that the movie had ended in this brief moment of release. Had it really already been two hours?  It felt like even more. Certainly not in the sense of being bored - it felt as if you'd feel after receiving really bad news. As if drained from a bad argument.  I was getting ready to go.

No credits rolled. Time reverted to it's regular speed. This was just the beginning!

This year  Nakashima returns with World of Kanako - my most anticipated film this year! I've learned to temper my expectations, and the new film does look extremely different, but no less compelling. From the trailer, World of Kanako seems to be much more energetic in it's darkness. Perhaps a shot of adrenaline to compliment the morphine of Kokuhaku!

Can you send Valentines from Hell?
THE WORLD OF KANAKO screening times:
Sun., Sept. 7th, 9:15 PM, ISABEL BADER THEATRE
Tue., Sept. 9th, 11:30 AM, BLOOR HOT DOCS CINEMA
Sat., Sept. 13th, 9:00 PM, BLOOR HOT DOCS CINEMA

Tuesday, August 26, 2014

TIFF Asian Film Rundown

Kanako is working out which movies she wants to see at TIFF

Kaiju Shakedown's Grady Hendrix has the skinny on the Asian movies playing TIFF this year. The rundown is just after an excellent look at the influence of Hong Kong filmmaker and star Patrick Lung Kong, which we really recommend reading.

Hendrix covers 38 films from South Korea, Japan, Hong Kong, China, India, the Philippines, Pakistan, Malaysia, Vietnam and Taiwan. Fancy directors include: Ann Hui, Zhang Yimou, Johnnie To, Peter Chan, Sion Sono, Takashi Miike, Tetsuya Nakashima, Andrew Lau, Shinya Tsukamoto, Im Kwon-taek, and Tsai Ming-liang. And there are two Studio Ghibli films this year.

"Did you say two Studio Ghibli films?" Oiwa asks.

Hendrix talks about this year's City To City sidebar:
Toronto’s focus on another city, this eight-film sidebar of movies set in or around Seoul has some of the most interesting films in the line-up. There’s Cart a sort of retail Silkwood by Boo Ji-Young, one of Korea’s few female directors. A Hard Day about a cop who tries to cover up a hit-and-run accident, became a word-of-mouth hit at Cannes, where Film Comment called it a “rollicking thriller . . . carefully orchestrated, beat for beat” and Variety called it “…taut…elaborate…near-faultless…” You can see the trailer and make up your own mind.
He recommends The World Of Kanako--and director Tetsuya Nakashima:
The World of Kanako (Tetsuya Nakashima, Japan) The first film in four years from Tetsuya Nakashima, probably Japan’s smartest director (Kamikaze Girls, Memories of Matsuko, Confessions). Who cares what it’s about? Just go see it.

And he recommends Sion Sono's Tokyo Tribe, which opens this year's Midnight Madness program:
Tokyo Tribe (Sion Sono, Japan) The director continues to validate his existence by making some of the world’s most exciting movies. The only Asian movie in the Midnight Madness line-up—just look at the trailer and try to resist its anarchic pull.

Click through for the whole rundown. And, seriously, take a few minutes to read about Patrick Lung Kong.

TOKYO TRIBE screening times:
Thu. Sept. 4th, 11:59 PM, RYERSON
Fri. Sept. 5th, 10:00 PM, SCOTIABANK 8
Sun. Sept. 14th, 3:30 PM, LIGHTBOX 3

WORLD OF KANAKO screening times:
Sunday, Sept. 7th, 9:15 PM ISABELLA BADER THEATRE
Tuesday, Sept. 9th, 11:30 AM THE BLOOR HOT DOCS CINEMA
Saturday, Sept. 13th, 9:00 PM THE BLOOR HOT DOCS CINEMA

OVER YOUR DEAD BODY screening times:
Thursday, Sept. 11th, 6pm RYERSON
Friday, Sept. 12th, 9pm THE BLOOR HOT DOCS CINEMA
Saturday, Sept. 13th, 6:30 TIFF BELL LIGHTBOX 2



THE WORLD OF KANAKO First Look: Trailer and Poster!

What do you mean it's more bracing than Confessions?! 

When a filmmaker issues a statement saying he is "sorry if the film is too grotesque," you know it's got to be very special. (Maybe special means something different to you, but for us it means crazy and violent. Deal.) World of Kanako (Kawaki) is based on a best-selling novel by Akio Fukamachi some considered too gruesome to ever be a film. Tetsuya Nakashima took that as a challenge and crafted an over-the-top, violent revenge thriller. If any of you are familiar with 2010's Confessions then you know what we're talking about. If you aren't, take our word for it: this might not be the flick to see with your grandma. (No, really.)

Don't be fooled by the pink colour. 

Already a hit in Japan, garnering fans and critics alike, World of Kanako is sure to positively shock, probably disturb, and maybe even offend Vanguard audiences this Festival. Check out the trailer below for a little taste of the cah-razy film experience waiting for you:



World of Kanako is screening at the 2014 Toronto International Film Festival as part of the Vanguard Programme. You can check out more Vanguard films on the official Festival website. 

WORLD OF KANAKO screening times:

Sunday, Sept 7th 9:15 PM ISABELLA BADER THEATRE
Tuesday, Sept 9th 11:30 AM THE BLOOR HOT DOCS CINEMA
Saturday, Sept 13 9:00 PM THE BLOOR HOT DOCS CINEMA